Monday, June 16, 2008

in celebration of mindless ethnography

In response to the 'rigour' map below, and recent criticisms of academia, I feel there are some important elements that could be added to the map below (regarding the 'rigour' debate). The 'rigour' discussed and represented in the map seems to relate purely to academia, how our work is viewed by our peers, a limited and somewhat elite audience. Academia is currently being attacked for its distance from the world outside (the direct issues and problems encountered 'out there'), the relevance of it's (our) research and it's (our) outputs. In a department with an emphasis on critical geography this is surely something we should be addressing...if of course our research is to mean anything beyond academic brownie points (or becoming another business class activist).
Ethnographic and autoethnographic practice involves participant observation so it seems strange, and rather telling, that responsibility to participants, and indeed the issues being addressed through research, remained invisible and forgotten in our rigour map/discussion. Ironic, as this invisibility is something that recent ethnography and autoethnography has sought to confront, challenging (rather than perpetuating) the privileged role of researcher. As has been discussed in previous meetings, many of us feel that a responsibility to the issues we are in some small way attempting to address and to the people who are participating in the research (as research subjects and/or collaborators) should perhaps the be first site of any test of rigour; if research outputs remain hidden and/or meaningless to those we claim to speak with - either through the choice of outlet (subscription journals etc) or through impenetrable, jargon encrusted papers - how can there be any claim to rigour. Within critical geographic praxis creativity would seem to have an important role in producing work that is rigorous, exciting, and relevant to audiences far beyond the walls of academia.
Well, I guess what I am saying is perhaps we could make some space for 'responsibility' in our search for rigour. Rather than scrambling to regurgitate the latest 'right kind of theory' start thinking through our work.
But hey, I'm just a 'mindless ethnographer', apparently, so what would I know...moan,moan,moan...

Friday, June 13, 2008

spot the rigour


Our last Exnography, ugh meeting included a game of 'Spot the Rigour'. To be honest I arrived late so don't know how or why it started, and due to a terrible memory can't remember how it ended (or if there was a winner). It went a bit like this...

...as doodled by Debs...

We will try to meet a couple of times during the summer and hope to arrange a BIG meeting where Exnographers near and far (along with invited guests) can share ideas, words, creativity, and the odd sandwich.

Monday, June 2, 2008

A ref

Hi everyone,

Read this and thought of you/us/blog. It's fantastic! I think.
Does what it says on the tin and is lovely and easy-to-read.

Pillay, V. (2005): 'Narrative Style: the inseparability of self, style and text' Reflective Practice 6(4), Pp.539-549.

I imagine that someone in this group was already the one to forward the ref to me in the first place, but hey ho...
Enjoy...hope things are going well down there.
Bex
PS. If you can't get it, I'm sure I have a pdf somewhere, which I can happily attach to and e-mail or something: lemme know and I can e-mail the group with it if you like..?